Star in the Dust

 

Director: Charles Haas
Year: 1956
Rating: 6.0

The last thing you might expect to find is Mamie Van Doren co-starring in a traditional Western from a major studio. But here she is as pristine as a cool mountain stream. And she is fine. At this time she was an up and comer at Universal and it would not be for two years before she started appearing in the slightly raunchy films from Albert Zugsmith. Once she did that pretty much was the end of her mainstream career. She is lovely here. The film is quite good as well. A low budget Western but in color and with some good acting talent on hand and a terrific script. It reminded me a bit of High Noon - a film that was influential on so many Westerns. It doesn't have the theme of a sheriff alone facing some killers as the towns people cower in their homes but it has the same feel - the slow tension build up that all takes place in one day and a sheriff who stands up for the law no matter what. John Agar gets the Gary Cooper role while Mamie does Grace Kelly.


 
A man is to be hanged at sundown in the town of Gunlock. A professional killer who someone hired to kill farmers who were encroaching on the lands of the cattleman. This is Sam Hall who was paid $1,000 a kill. He had three of them. But he won't say who hired him though everyone thinks they know who. The top rancher and banker, Ballard - brother to Ellen (Mamie). The killer waiting in jail is the wonderful Richard Boone who plays his role with a charming roguishness. Have Gun Will Travel - a real favorite of mine - was to begin a year later on TV.

 


The tension is ratcheted up during the day - inch by inch - the cattlemen want to break him out, the farmers want to make sure he hangs, a couple women have their agenda, the sheriff and his two deputies (James Gleason and Paul Fix) count down the time to the hanging. Guns at the ready. One of the ranchers is played by Harry Morgan. Time is ticking down. The cattle men are coming into town. The farmers are nearby. Everyone is locked and loaded. Director Charles Haas who mainly has a lot of TV credits does a fine job here with the pacing and the small dramas that are woven in. Look for a very quick appearance of Clint Eastwood. I mean quick. I said to myself that sure looked like Clint. Early in the film he and the sheriff exchange a few words on the street and off he goes never to be seen in the film again.