The Hit Parade of
1941
Director: John H. Auer
Year: 1941
Rating: 6.0
Hit Parade of
1941 (1940) - 6.0
AKA - Romance and Rhythm
This is a fairly bland benign low budget
musical comedy from RKO that somehow manages to be pleasant enough. It has
no stars though a few of them would become ones later on but it does have
a few decent songs and two performances from the great Harmonica Rascals!
RKO was of course the home of the Astaire-Rogers films and they were one
of the first studios to put out a musical (Rio Rita) that was a big hit just
as Talkies came about. But by 1940 they didn't have much musical talent on
contract and even Astaire had left the studio. So they turned to lesser known
folks.
The male lead is Kenny Baker who had been
in a few other now obscure musicals and other than appearing in Harvey Girls
never quite managed much of a career - partly I expect because he has a nerdy
high pitched talking voice though when he sings he is quite good in that
crooner style. The female lead is Frances Langford who later on became well-known
for appearing with Bob Hope on his many tours but doesn't really sparkle
at all on the screen until she sings - she has a great voice and originated
a few classic songs - I'm in the Mood for Love, You are My Lucky Star, Hurray
for Hollywood and in this one she sings a lovely version of Who Am I? And
bursting with energy and a future ahead of her is Ann Miller who was seventeen
at the time - signed by RKO at thirteen when they thought she was eighteen
- and was already considered a dancing prodigy. She and Eleanor Powell are
considered the two greatest female tap dancers though in truth unless those
taps are on the shoes of Astaire or the Nicholas Brothers I am not a huge
fan of the dance form.
And for comic relief there is Phil Silvers
in his debut in a feature film and whose TV show in which he plays Bilco
is still one of the funniest shows ever. Throw in Hugh Herbert whose shtick
as a forgetful eccentric gave him quite a career in the 1930's and 40s -
in small doses he is great but too much as in this one can be annoying. And
perhaps not as well known but Mary Boland (the mother in the classic Pride
and Prejudice and a dotty mother in many other films), the squeaky voiced
Sterling Holloway, the smart-mouthed Patsy Kelly and the always questionable
sexuality of Franklin Pangborn - all give this film some comedy chops. Not
that it is hilarious but there is a constant barrage of one-liners.
The plot is interesting to me. TV is the
new big thing and Herbert and his nephew Baker turn their radio station into
a TV station. I admit to being surprised - I had no idea TV started by 1940
but I looked it up and the first TV stations began in the late 1920s and
30's. I can't imagine many people had TV sets though. At this point there
really are no programs - just transferring the musical acts on the radio
show to TV. They get a sponsor (Boland) but she insists that her daughter
(Miller) be the singing star but she has a voice that would scare cats away
- so the boys come up with an ingenious angle - have Langford secretly sing
behind the scenes as Miller sings on stage not knowing that the voice going
out on the TV waves is Langford's. That might sound familiar but no idea
if Singin' in the Rain got that from here. Miller's character may not be
able to sing but she sure can dance and does two numbers.
And let's not forget those Harmonica Rascals
- seven guys playing harmonicas and fooling around with the midget in the
band (and also amazingly for the time, a black man). They get two numbers.
Too bad we don't have comic harmonica bands any more!