Dracula's Daughter
Director:
Lambert Hillyer
Year: 1936
Rating: 6.0
I am slowly catching
up on the Universal horror films of the 1930's and 40's. I missed them all
growing up on TV afternoons because I was outside of the USA. But better
late than never and I am quite enjoying them. Certainly there were horror
films during the Silent period - but United really focused on them and created
a number of iconic figures. Dracula of course being a major one. That film
was produced in 1931 with Lugosi in this role and Universal had every intention
of following up with a sequel. Which in theory was difficult since Dracula
was dead at the end of the film, but certainly not impossible per Frankenstein
and the Wolfman.
But they could not really get it together
going through various ideas and scripts - initially trying to get Dracula
and Lugosi back in it. But partly due to Universal's financial problems,
legal ownership issues and the Movie Codes brought on by the Breen Office,
it took five years. As Tom Weaver writes in his great book Universal Horrors,
the initial draft was going to be rather extreme for those days full of torture
and seduction with a prologue with Lugosi explaining how he came to be a
vampire. But damn - Breen shot all this down and it was back to the drawing
board.
What they eventually came up with was this
film - moody, evocative but rarely scary - and I thought with a rushed ending
that sucked the air out of the film. The studio had cut the budget a lot
and so perhaps they just didn't have the funds for the big ending the film
deserved. Still this film is held in very good stead by horror aficionados
of that period. I needed a little more graphic blood and gore but the camera
looks away at each of those opportunities - again perhaps the Breen Office.
The film begins where Dracula left off
with Dracula dead from the stake in his heart from Professor Von Helsing
played by Edward Van Sloan who was also Helsing in the first film (and who
was also in Frankenstein and The Mummy). He is arrested by a few Bobbies
and of course no one accepts his defense - you can't kill a man who has been
dead for 500 years! To his aid comes his old pupil Garth performed with a
welcome serious tone by Otto Kruger. A woman from Hungry shows up in the
social circles with cheekbones that feel like Picasso had a go at them -
this is Countess Zaleska (Gloria Holden). But she is in fact . . . the Daughter
of Dracula! But she doesn't want to be - she just wants to have fun like
all the other women adorned in black like The Girl Who Walks Alone at Night,
She wants to give up the blood sucking life but it is sooo hard - all those
delicious necks just waiting for a bite. Like all vampires she has a human
servant, Sandor, looking as if Eddie Munster grew up. The actor is Irving
Pichel who had a fine directing career.
There are some excellent scenes - the best
and most famous being when Sandor picks up a homeless young girl (Nan Gray,
who quit acting when she married the singer Frankie Laine (theme to Rawhide)
for a midnight snack for his mistress. It is surprising that this got by
Breen as it turns into a sort of seduction as the Countess has the dazed
girl disrobe. But overall this is more drama than horror and it throws in
some scenes that feel like stuffing such as the two Bobbies - but it is still
an elemental building block of the horror genre.