The Gay Falcon
Director: Irving Reis
Year: 1941
Rating: 6.5
If you find The Saint series of films and the Falcon films somewhat interchangeable
and confusing, there is a reason for that. They were sort of meant to be.
RKO produced both series and began with the Saint films that were quite popular
though considered B films. They starred the urbane suave George Sanders who
could so easily play either side of the coin of good or evil. Though Louis
Hayward was in the first Saint film, Sanders took over for the next five
films until the series production was moved to London to take advantage of
a financial loophole and also to get away from the author of the Saint books,
Leslie Charteris, who was an interfering nuisance. Sanders did not go along
with the move to London. Since this was in the middle of WWII I can hardly
blame him!
Charteris kept demanding that Sanders was not good enough and that the films
should star an A actor like Gable or Grant. In those days sequels and film
series were almost always B films to fill out the double features and A actors
would never appear in them. Though to my mind Sanders is pretty darn close
to top tier and Cary Grant as The Saint would have been wonderful. All that
has clearly changed now with sequels the name of the game in Hollywood. Two
more Saint films were made in London starring Hugh Sinclair and then the
series ended with a sigh of relief from RKO to be rid of Charteris and the
fee he was charging per film. Well, it turned out that was not quite the
end.
Sander's last film as the Saint was released in 1941 and in the same year
the first Falcon film with him now starring as Gay Laurence aka The Falcon
was released. This was based on a short story from Michael Arlen that nobody
knew of but it was similar enough to The Saint so that they could claim the
Falcon films were not based on Charteris's character. And Arlen came much
cheaper. In the end though Charteris sued RKO for plagiary and they settled
out of court.
There are different biographical details between the Saint and the Falcon
but Sanders plays him almost exactly the same way - charming, roguish, an
eye for pretty women and nonchalant in the face of danger. At one point the
villain asks the Falcon why he should not shoot him dead in cold blood to
which he answers "well give me a minute and I am sure I will come up with
something".
The Falcon has retired from crime sleuthing and is engaged to a society woman
(Nina Vale) and trying to set up a brokerage business in which he has no
clients, no equipment and no data. Fortunately, a dame comes along asking
for his help to which the Falcon's sideman and comic relief (Allen Jenkins)
tells the swizzle that he is out of the help damsels in distress business
and she should contact Ellery Queen (another mystery series of books and
films produced at Columbia). But The Falcon can't help himself especially
as the seeker of his help is Wendy Barrie who is delightful in the film as
his Girl Friday and who was in loads of B films and a few Saint film’s as
well.
Jewel robberies are taking place at high end soirees thrown by Mrs. Wood
(Gladys Cooper who had roles in many famous films and was Mrs. Higgins in
My Fair Lady) and when the Falcon goes to the party a murder occurs and The
Falcon is on the trail. At 66 minutes this moves quickly and is quite solid
with a few other character actors as well that are familiar - Edward Brophy
as an irritated cop, Arthur Shields and his always present Irish accent as
the Inspector and the Turkish actor Turhan Bey early in his career who would
go on to star in a number of "exotic" films like Arabian Nights and Ali Baba
and the Forty Thieves. A good start to the series.