Call Me Mr. Tibbs!
Director: Gordon Douglas
Year: 1970
Rating: 5.5
You might be wondering what ever happened to Mr.
Virgil Tibbs when he left Mississippi after solving the murder and taking
on local prejudices. As it turns out quite a bit. Tibbs had a long shelf life
and in a time when all things old are coming back again, who knows when Tibbs
might return. The character is based on a series of books written by John
Ball. In total there were seven Virgil Tibbs novels and a few short stories
beginning with In The Heat of the Night in 1965 going to 1986. There were
also two film sequels to In the Heat of the Night (1967) also starring Sidney
Poitier - this film in 1970 and The Organization in 1971. And much to my
surprise there was a TV show titled In the Heat of the Night that went from
1988 - 1995 that I had never heard of starring Howard Rollins as Tibbs. In
the TV series Tibbs goes back to the setting for In The Heat of the Night
and takes a job in the police force working with Gillespie - Rod Steiger in
the film, and Archie Bunker i.e. Carroll O'Connor in the TV series. That just
seems a stretch but if it lasted for that many seasons it must have been
decent.
In the Heat of the Night is considered a classic film - directed by Norman
Jewison, the script adapted from the book by Stirling Silliphant who wrote
many screenplays as well as developing the TV shows Naked City and Route 66,
two great actors in Poitier and Steiger at the top of their game and music
from Quincy Jones. At the time - in the middle of the Civil Rights movement
- it really struck a chord with its ugly display of racism and the proud
black man (They Call me Mr. Tibbs) who works through it and solves the crime.
It won the Academy Award for Best Picture and Best Actor for Steiger. The
film still resonates today - because a lot hasn't changed unfortunately.
Three years later they made a sequel and it would be difficult topping the
first film. And they didn't. In Heat Tibbs is a single man who is a cop in
Philly - but in both sequels for reasons unknown - maybe based on the books
- he now works in San Francisco and he is married (to the lovely Barbara McNair)
with two children. Which I guess is fine, but this film spends an inordinate
amount of time going into domestic complications with the children - the
boy is turning into a brat - but who really cares? It really slows down the
film and breaks the tension. I expect they thought it was interesting to
show all sides of Tibbs but they are boring sides.
And obviously the racial conflicts are gone - re-doing that would have felt
like reheating leftovers - so they turn the film into a basic police procedural
in which Tibbs has to solve the murder of a kept woman. One of the prime suspects
is his friend (Martin Landau) and another is played by Ed Asner with a full
head of hair which looks so wrong. Anthony Zerbe is also on hand as the sleazy
landlord. The film never gets going really and is interrupted too often by
domestic blandness. The next film - The Organization - is much better.
The Organization
Director: Don Medford
Year: 1971
Rating: 7.5
This is a much better film than the immediate sequel to In the Heat of the
Night - They Call Me Mr. Tibbs (1970). Tibbs is still married with the two
children but they take up much less time than the previous film. Thankfully.
This has some very tense moments and a couple chases on foot around San Francisco
that were great. It is again basically a police procedural without the dramatic
racially charged set up of in The Heat of the Night - but one that takes an
interesting turn.
It begins with a terrific well-done heist inside a building of a load of
heroin. It turns out of course that they are stealing from the Organization
i.e. The Mob i.e. The Mafia. Not generally a real good idea unless you feel
that you have lived long enough already. But the robbers not only knew this
but intentionally did it to hurt the Organization and bring them out into
the open. Among this group are Raul Julia and Ron O'Neal (Superfly). They
are social do-gooders who perhaps have gotten over their heads - especially
when five men are brought in from the outside to find the dope and kill whoever
is behind it.
Tibbs (Sidney Poitier) is assigned the case because a dead man was left
behind with two shots to his head. As he digs into it he begins to realize
that this company is only a front and some very big and bad people are behind
it. And they very much want the drugs back. It is almost funny watching an
older film like this nowadays - the total lack of technology - they use payphones
- and the lack of fireworks, a big body count, heroic bloodshed - just a very
solid suspenseful well-made film. They don't make films like this anymore.
I expect people brought up on Die Hard will find this slightly dull. What
stands out in all three films is simply Poitier - his acting is always great
- a commanding figure that you can't take your eyes off of in even the simplest
scenes - always intense, always true to his character.