The Man I Married
                         
Director: Irving Pichel
Year:  1940
Rating: 7.0


This is rather a remarkable film if you put it into context. From the title one might expect a romance, but this is far from that. This is a furious attack against fascism and Nazism in 1940. What is surprising about that is Hollywood was very restrained until war was declared in 1941 about criticizing Germany. For one thing Germany was a big film market and for a second the Congressional isolationists in America - you know the America First folks - demanded that Hollywood not in any way try and influence American sentiment against Germany. The films Blockade made in 1938 and Foreign Correspondent in 1940 were clearly anti-Fascist but in neither case was Germany or Spain actually named. In Hollywood films played in Germany the names of the Jewish people in the credits were excised out.



In The Man I Marry, Germany is very much named. And Hitler and Goebbels and concentration camps (Dachau) and Jews. I don't think this got an opening in Germany! In America Joan Bennett is married to a very nice German man (Francis Lederer - who left Europe in the early 1930's to get away from what he saw coming) and they along with their son go to Germany to settle some financial affairs. While there Lederer is swept up in the New Germany with their Volkswagens and factories and military. Soon he is giving the old Heil Hitler salute with enthusiasm. Bennett who hates what she sees just wants to go home but he decides to stay. In a sense she is America being woken up to the evil that was taking place far away in Germany.








She gets help from an American correspondent (Lloyd Nolan) who in a bit of dialogue is extremely prescient - Hitler is a madman who the world has never seen the like of since Genghis Khan and Attila the Hun. He wants to conquer the world. He will never be satisfied. He doesn't want to just destroy the democracies in Europe but ours as well. He will lose but he will leave blood behind all over the world. I saw this film mentioned in the documentary Red Hollywood. It is up on YouTube I think. Produced by Warner Brothers after Jack Warner basically said fuck it to the isolationists.